There is a brand new addition to the Landscape Album simply titled Beautiful San Diego. The variety of dramatic vistas, attractions and beaches, coupled with a climate that can’t be beat makes San Diego a photographer’s wonderland. There are so many places to explore, and so much to take in I’ve decided to call this place home. This small gallery is just the tip of the iceberg. Take a look at the Beautiful San Diego Gallery, be sure to check back for frequent updates.
The other day we spent the afternoon at Seaport Village to just get out and about for a while. It was a much needed break from the daily grind, and gave Kaleb a chance to roll around in the grass. What would such an excursion be without a camera slung over my shoulder? Ummm, an opportunity missed.
While Kaleb was doing his best to make a break for a nearby busy walkway, I chased him around, shoving my lens in his face, and blinding him with my flash every chance I could. At one point, he decided to practice his balancing skills, struggling to hoist himself upright, and standing on his own two feet. After several wobbly attempts which essentially toppled him head over heels, his persistent efforts were successful. Before his legs inevitably gave way, I captured this proud moment as he gleefully clapped his hands and giggled. Now all he needs to do is take a step or two without the hilarious face plant that usually follows.
Here are a few shots of the little one playing around in the grass…
Amber is not only beautiful, playful, and creative, she also has a talented fashion designer to boot. Cheers!
Off To A Great Start…I Think
Have you ever jumped into a project nonchalantly, only to discover your little project has become a beast that will test your tenacity all the way to the bitter end? That’s when you know you’re off to a great start. Just a little over two weeks ago I started compiling images for a book project I’ve been meaning to get off the ground. I didn’t foresee how fast this small idea would gather momentum and get away from me. After a few days of hunting for the pin-up and boudoir sessions I wanted to showcase in the book and wrangling them all into a single location, I hunkered down to the task of refining the images for print, and possibly electronic distribution in the form of an Ebook. I haven’t figured out all the nuts and bolts for the latter just yet.
The real task is going to be the overall layout and design of the book, and figuring out which tools I can use to give it a nice clean and elegant feel. This project is still in it’s infancy, and it is taking on a life of it’s own quickly. I needed to take a break from processing, and organizing my images, so I figured I’d give you a sneak peak…or two.
Thank you for dropping by. While you’re here, take a moment or two to leave a comment, or share this post with your friends and family.
While processing some images I took earlier this week, and going through some of the bracket sets I captured for HDR purposes, a question popped into my head that made me stop and think, and then write…
How Much Of A Difference Is There Between A Three Frame and Five Frame HDR?
Well, naturally, that depends largely on what software you use to process your HDR images. For this exercise, I used Lightroom, HDR Efex Pro, and DFine2.0. I was curious to see the difference between a 3 shot, and 5 shot HDR image, and which one ‘looked’ better. So lets dig a little deeper into the workflow from capture to final image.
Capturing The Raw Data
Bay View Park on Coronado Island is where I captured the San Diego Skyline just after sunset, when the blues in the sky were at their peak. I set the camera to bracket at full stop increments, the three brackets were set to -2, -1, and 0. The five bracket set was -2, -1, 0, +1, and +2. At the time, I don’t know why I decided to do a 5 frame bracket, but I’m glad I did.
Cooling Off Period and Post Processing
Letting a full day’s worth of shooting cool down for about 48 hours is a recent addition to my workflow. This cooling off period lets my mind rest, and kind of marinate a bit on how I’ll process the images later. I’ve also found that when I go back to review the images, I’m much more efficient throughout the entire post processing session. I also try to remember to take breaks more often than I’ve done in the past. There aren’t any deadlines to worry about and taking a leisurely pace (for me) produces better results. The same is true while capturing images in camera also, slow down, compose, and shoot will often yield better images.
Once I got my images imported into Lightroom, I then exported the three image set into HDR Efex Pro, where I processed them to get the look and feel I wanted, then saved the settings so that I could apply the exact settings to the 5 image set. Once both sets were processed, I dragged them into Dfine 2.0 for noise reduction.
Comparing The Results
I did a side by side comparison, at first glance, they were pretty subtle. A closer look at the histograms gave a better indication of what was going on. The first thing I found was the blue channel in the three frame bracket shows a definitive spike compared to the five frame image. Overall, the profiles have fairly different characteristics. Histograms are one thing, but what do the final images look like side by side? I’m so glad you asked.
Below is a side by side screenshot of the two images, the three frame HDR is on the left, and the five frame HDR on the right. The darks are softer, and gentler in the five shot version, and the range of color gradation from the horizon to the sky is more appealing (to me anyhow).
This fun little experiment is not by any means a definitive answer to the question of how many frames should one use to create an HDR image. To answer that question, I’ll simply say take as many as you need to that make sense, and fit your own workflow. Whether you are using a single image, or a baker’s dozen, or more, it all comes down to the final image. Speaking of which, here is my final image for this post…enjoy.
What is your HDR workflow like? How many frames is too many? Feel free to comment and share your techniques.
Born October 8, 2012 at 10:20am, and weighing in at six pounds three ounces, Kaleb Keoni is already giving us a run for our money, luckily, he’s not camera shy. As I took the first shots of him, his frail voice echoed throughout the operating room, tears welled up in my eyes as I tried to focus. Kaleb is lucky to have five sisters, Khrystina, Karina, Kilyne, Kaetlyne, and Kayleigh, who all adore him to bits. Being the only boy is sure to bring new and exciting challenges raising him. Thankfully, all of his sisters are sure to steer him straight, teaching him the do’s and dont’s when it comes to things like treating girls right.
These are the first few images of him, and you could bet there will be a lot more. The added bonus is I can really sink my teeth into newborn and baby photography, and I’ll be able to expand my vision as his story unfolds through the lens.
While planning to visit my grandparents in Landers, California with my girlfriend Kim, and her two wonderful daughters Kilyne, and Kaetlyne, I was trying to figure out a way to fire up their imagination, and make the trip not too boring for them. Then that little light in my head came on, and dang near burst due to my sudden excitement.
While on the road, and still at least an hour away from Yucca Valley where we planned to stay for the night, I mentioned my plan to do some light painting to the ‘heathens’ as Kim would say. Not quite grasping the concept, or the technical mumbo jumbo to make it happened, Kim showed them a few pictures of what I was talking about. They responded with a tentative, but curious “Okay.”
Once we were all fed, and rested, we headed out to Landers to find a patch of desert and solitude so we could play around, and exercise that creative muscle encased in our skulls. My original plan was to drive out to Giant Rock Airport, but after seeing a few too many washed out dirt roads, I settled on a road near the Integratron. It was secluded enough, and late enough for us not to be disturbed.
I set the camera on a tripod, ran a couple test exposures, using the full moon as a back light, and did a quick demonstration to show what could be done with a little time and imagination with a flashlight. Seeing the results of the demo on the back of the camera was all it took to peak their curiosity. The next hour or so was spent creating a few dozen images, marveling at the results, and making a few tweaks here and there.
I like to think we all had a good time, and hope that maybe we can explore different paths of creativity from time to time in the future.